To promote choreographic sector and performing art for young people, Le Gymnase CDCN is involved in some professional networks.
Le Gymnase is a National Centre of Choreographic Development (CDCN). There are 13 CDCNs in metropolitan France and one in Guyana. This label carries a number of responsibilities that involve: supporting artists in their work by opening up our studios (for co-productions and residencies); work to raise awareness and mediation; professional training; research; dissemination of dance and regional outreach.
A-CDN’s website• Le Gymnase CDCN Roubaix – Hauts-de-France (59)
• L’échangeur – CDCN Hauts-de-France (02)
• Chorège CDCN Falaise Normandie (14)
• La Briqueterie (Vitry-sur-Seine, 94)
• Le Dancing (Dijon, 21)
• Le Pacifique CDCN (Grenoble, 38)
• La Manufacture CDCN (Bordeaux, 33 + La Rochelle, 17)
• La Maison CDCN (Uzès, 30)
• Les Hivernales CDCN (Avignon, 84)
• La Place de la Danse – CDCN Toulouse / Occitanie (31)
• Atelier de Paris CDCN (75)
• POLE-SUD CDCN (Strasbourg, 67)
• Touka Danses (Cayenne, Guyane)
EDN is a network for trust and cooperation between European dancehouses sharing a common vision regarding the development of dance art across borders. 54 EDN members (in 28 countries) are contemporary dance development organisations based in Europe.
EDN’s website• Lokomotiva – Kino Kultura (Skopje, Macédoine du Nord)
• Hrvatski institut za pokret i ples HIPP – The Croatian Institute for Movement and Dance – (Zagreb, Croatie)
• Le Gymnase CDCN (Roubaix, France)
• Dance Base National Centre for Dance (Edinburgh, Royaume-Uni)
• The Place (London, Royaume-Uni)
• DansBrabant (Tilburg, Pays-Bas)
• Oriente Occidente (Rovereto, Italie)
• Dance Ireland (Dublin, Ireland)
• Dance City (Newcastle Upon Tyne, Royaume-Uni)
• Centro per la Scena Contemporanea CSC Bassano del Grappa (Bassano del Grappa, Italie)
• Trafó House of Contemporary Arts (Budapest, Hongrie)
• Tanzhaus nrw (Düsseldorf, Allemagne)
• Centre National de la Danse CND (Pantin, France)
• Dance Gate Lefkosia Dancehouse Lefkosia (Lefkosia, Chypre)
• Pavillon ADC Association pour la Danse Contemporaine (Genève, Suisse)
• Lituanien Dance Information Centre (Vilnius, Lituanie)
• Tanzquartier Wien TQW | Centre for Contemporary Choreography and Performance (Vienna, Autriche)
• HELLERAU European Centre for the Arts (Dresden, Allemagne)
• K3 Zentrum für Choreographie Tanzplan Hamburg Kampnagel (Hamburg, Allemagne)
• O Espaço do Tempo (Montemor-o-Novo, Portugal)
• DanceEast Jerwood DanceHouse (Ipswich, Royaume-Uni)
• Bora Bora (Aarhus, Danemark)
• Lavanderia a Vapore Fondazione Piemonte dal Vivo Collegno (Torino, Italie)
• Dansehallerne (Copenhagen, Danemark)
• Sadler’s Wells (London, Royaume-Uni)
• ICK Dans Amsterdam / ICK Artist Space (Amsterdam, Pays-Bas)
• Station Service for Contemporary Dance (Beograd, Serbie)
• Kino Šiška Centre for Urban Culture (Ljubljana, Slovénie)
• Duncan Dance Research Center DDRC / The Isadora & Raymond Duncan Dance Research Center Vyronas – (Athens, Grèce)
• Mercat de les Flors Casa de la Dansa (Barcelona, Espagne)
• Dampfzentrale Bern (Bern, Suisse)
• Dance House Lemesos (Limassol, Chypre)
• Dansateliers (Rotterdam, Pays-Bas)
• Maison de la Danse (Lyon, France)
• DeVIR • CAPa Algarve Centre for Performing arts (Faro, Portugal)
• TROIS C-L Centre de Création Chorégraphique Luxembourgeois (Luxembourg, Luxembourg)
• Korzo theater (Den Haag, Pays-Bas)
• La Briqueterie CDCN | Centre de Développement Chorégraphique National du Val-de-Marne (Vitry-sur-Seine, France)
• Tanec Praha PONEC – dance venue (Prague, République Tchèque)
• AREAL | Space for choreographic development (Bucharest, Roumanie)
• Tanssin Talo (Helsinki, Finlande)
• Dansens Hus International Scene of Contemporary Dance / Suède (Stockholm, Suède)
• Tanzhaus Zürich (Zürich, Suisse)
• STUK House for Dance, Image and Sound (Leuven, Belgique)
• KLAP Maison pour la Danse (Marseille, France)
• Derida Dance Center Derida Stage (Sofia, Bulgarie)
• Dansens Hus Oslo (Oslo, Norvège)
• Dance Limerick (Limerick, Irlande)
• Divadlo Štùdio Tanca (Banskà Bystrica, Slovaquie)
• Sin Arts Center, Production House (Budapest, Hongrie)
• Dantzaz, Dantza Garatzeko Elkartea (Errenteriaa Gipuzkoa, Espagne)
• Condeduque, centro de cultura contemporànea (Madrid, Espagne)
• Croatian cultural center Rijeka – HKD (Rijeka, Croatie)
•Plast, Platform for contemporary dance (Bratislava, Slovaquie)
Les Petites Scènes Ouvertes (PSO) is a network of 7 cultural structures created in 2001. It offers several levels of support for young choreographic authors, including La Grande Scène, a national platform: hosting companies chosen by the network and its members for a presentation in stage conditions (light technique). This highlight is composed of two days of presentation of choreographic works and time for reflection and training.
PSO’s website• Danse Dense, Pantin (93)
• La Manufacture CDCN Nouvelle-Aquitaine Bordeaux . La Rochelle (33, 17)
• Danse à tous les étages !, Rennes (35) & Brest (29)
• Le Gymnase CDCN, Roubaix (59)
• L’étoile du nord, scène conventionnée danse, Paris (75)
• CCNT – Centre Chorégraphique National, Tours (37)
• Chorège CDCN Falaise Normandie (14)
• La maison Danse Uzès CDCN, Gard (30)
• Le Laboratoire Chorégraphique, Reims (51)
Built after “la Belle Saison avec l’enfance et la jeunesse”, Scènes d’enfance – ASSITEJ France is the French national organisation of professional of performing arts for youth and children.
Based in Brussels, L’L | recherche autrement en arts vivants supports long-term research practices, deliberately placed outside the usual chain of production and performance.
Le Gymnase welcomes L’L researchers for two-week residencies
with the support of Wallonie-Bruxelles international
L’Ls websiteThe Nouveau Grand Tour, conceived and designed by the French Institute of Italy (IFI) / Embassy of France in Italy, is a residency project for young European talent under the age of thirty, deployed throughout Italy and France via a network of partner institutions. The project offers selected young artists the opportunity to be supported in their artistic research and creative process, without production requirements, and in so doing to be in contact with the cultural players and scenes of each country.
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